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47Thanks
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January 27th, 2013, 07:42 PM
#31
I just finished my new (and much smaller) darkroom, and spent time printing last night and this morning for the first time in a couple of years. It just felt so comfortably familiar, in a way I suspect digital never will to me. I love my digital cameras, and Photoshop lets you do things that you end up having to do handstands to get done in a darkroom, but I don't believe I'll ever be as good at "post processing" as I was as a black and white printer with some good fiber paper and a bit of selenium for the final treatment. It felt grand to be doing something I know I can do well, even if, of course, if I do screw up sometimes.
 Originally Posted by BBW
Congrats Paul - I've been watching your film photographs as I am slowly catching up.
You guys do make me laugh...and smile. My darkroom days are long over, however I do have many fond memories and a good old friend had a beautiful Hasselblad that I coveted greatly.
Last edited by Lawrence A.; January 27th, 2013 at 08:11 PM.
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January 28th, 2013, 08:19 AM
#32
I'm happy for you, Larry and love your description.
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January 28th, 2013, 09:47 AM
#33
 Originally Posted by Lawrence A.
I just finished my new (and much smaller) darkroom, and spent time printing last night and this morning for the first time in a couple of years. It just felt so comfortably familiar, in a way I suspect digital never will to me. I love my digital cameras, and Photoshop lets you do things that you end up having to do handstands to get done in a darkroom, but I don't believe I'll ever be as good at "post processing" as I was as a black and white printer with some good fiber paper and a bit of selenium for the final treatment. It felt grand to be doing something I know I can do well, even if, of course, if I do screw up sometimes.
Congrats. I haven't been in a darkroom in decades. I hope you get years of pleasure.
Gary
"Everywhere you look there are photographs, it is up to us photogs to see them."- Gary Ayala
My Snaps are Here: Unsharp At Any Speed
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January 29th, 2013, 02:47 PM
#34
Paul.
I think you'll like that Fuji GS645S. I shot this with mine about a week ago, and it is one of the first prints I made in the new darkroom. The flaws in the image are not the camera's fault, and bear in mind I haven't been in a darkroom for a while, and I'm working with a new enlarger. All that said, it's a fun camera to shoot. And it's sort of "compact" for a medium format.
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January 29th, 2013, 03:14 PM
#35
I'm enjoying it a lot, quite a few rolls have gone through it already, and have been posted both here and on my Flickr stream.
I'll probably have a darkroom session in the next few days and see if I can get a print off a frame or two. But enlarging is pretty new to me and my facilities are not conducive to a calm approach (yes, I know Weston could print in a cupboard with an Edison lamp and a bit of glass, but my knees hurt like hell after half an hour crouched on the floor in my bathroom and then I start to forget to stop down or count or something; and I'm not Weston)
Stand by for the next instalment, however ... there have been developments (pun unintentional)
My photostream at Flickr.com is here
"We can not shake the illusion of the truthfulness of photography" - William Gedney
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January 29th, 2013, 06:42 PM
#36
I eagerly await the next installment. The Flicker set is lovely.
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February 4th, 2013, 08:34 AM
#37
So ... anyway ... I ended up deciding that though I had the Fuji, I could live with another 6x6 folder, and of course they are pretty common on expensiveBay ... so I kept my eyes peeled, and this little sweetie arrived the other day ...
My photostream at Flickr.com is here
"We can not shake the illusion of the truthfulness of photography" - William Gedney
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February 4th, 2013, 08:39 AM
#38
Luke will remember that I have always rather scorned the idea of the TLR, regarding them as I do as "old men's cameras" ...
And then, through a chapter of accidents and a desire to acquire some paper suitable for lith, I ended up in the house of a recently deceased professional printer/photographer.
This was in a cabinet.
It looked shiny and pretty.
I bought it.
A couple of minor problems which I didn't spot at the time so I probably overpaid, but nothing that stop it working properly. And I got a set of genyouine Rollei Bay-1 filters and hood with it.
I now have more cameras than I can carry (and less money than I need to live).
My photostream at Flickr.com is here
"We can not shake the illusion of the truthfulness of photography" - William Gedney
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February 4th, 2013, 09:32 PM
#39
 Originally Posted by pdh
I now have more cameras than I can carry (and less money than I need to live).
I understand completely. I hate the second part but love the first part; what to do??
I had a Yashica mat 124G at one point. Nice little camera.
The Agfa Isolette is sweet -- but don't isolate with it.
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February 4th, 2013, 10:30 PM
#40
TLRs are to my retro-fetishised ideal, the ULTIMATE camera. AND that one looks damn nice. The Agfa is pretty sweet, but I'd pick that Yashica.
I don't know who said it, but it's been quoted so many times it makes me throw up a little bit in my mouth, so I'll give it a twist......"The most important camera is inevitably the one you couldn't carry with you (because you have too many)"
Congrats on your new acquistions.
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