Total "newb" question about software

Jock Elliott

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Location
Troy, NY
I'd like to do some work with high-contrast B&W images, but I don't have a clue about what software I need.

I keep seeing "Silver efex" mentioned frequently, but I don't know where to buy it, whether it is a standalone product (I do I need to buy something else that it plugs into), and so forth.

Right now, the only imaging processing software I have is the software that came with my G12 and FZ150.

Cheers, Jock
 
Silver Efex is indeed a plug in and does not work independently of other photo editors. So for example if Photoshop is the host photo editor when you install Silver Efex you will find it under the filters menu. Having done your adjustments in Silver Efex when you save it it comes back into Photoshop as an adjustment layer. This means that you could return to Silver Efex and make further adjustments before eventually flattening your layered image. In Lightroom when you save the adjustments made in Silver Efex the adjusted image reappears in Lightroom for any further work to be carried out on it, but the adjustments made whilst in Silver Efex are embedded in the image and cannot be changed.

I've found that Silver Efex can also be accessed from AfterShot Pro as an external editor (not listed as such in Silver Efex documentation) so it might also be possible to link it to other photo editors, but I have no experience of that.

There are other ways to manipulate an image to make it black and white, the best being to make a channel mixer adjustment layer which, coupled with other adjustments such as hue/saturation, brightness/contrast and curves for example give you a great amount of control over the black and white image. If such facilities are available in any photo editor you possess then you could create black and white images without going to the further expense of Silver Efex.

The making of digital black and white images is a process that has spawned many books on the subject, so I would suggest further research is required on your part to explore the subject in greater depth, any answers on this forum would only barely scratch the surface of the subject.

Barrie
 
I just use Photoshop and Adobe Camera RAW. You really need to learn to process out of your RAW converter if you are going to do this. There is no real mystery to process B&W, or color for that matter. It is simply practicing and learning the skills.
 
I feel, that for the sake of completeness, I should point out that it is possible to open Silver Efex in a stand alone mode and then drag and drop an individual tiff or jpeg file into it and edit the image. Since the application is designed as a plug in there are no conventional dialog boxes such as file > open, file > save and the like, but there is a save dialog button enabling you to save your edits back to the original tiff or jpeg file. Since these are irreversible changes it might be advisable to work on a copy of your original tiff or jpeg file.

Barrie
 
Barrie,
Thanks for mentioning the stand-alone option. I didn't know that was an option. I have Lightroom, but never use it. Maybe I'll try a demo of the Silver Efex.

Luke, it's a bit of a fiddle to get Silver Efex to open, in windows you need to navigate to C:\Program Files\Nik Software\Silver Efex Pro 2 (the application file). Do not click on it to open it, but from another window drag a tiff image to this application file which will then open with the tiff image active and ready for editing.

Barrie
 
I've just engaged brain, the easier option is to create a shortcut on the desktop from the Silver Efex Pro 2 application file, then all that's required is to drag the tiff or jpeg file to that desktop shortcut, Silver Efex will open with the image and you can edit as necessary, but remember that clicking on the save button will overwrite your original file with no warning or option to reconsider, hence my suggestion of operating on a copy of your original.

Barrie
 
Thanks for the tips. Since I just saw that Silver Efex is $200, i'll continue to convert with what I have. I can do most anything with the tools I have....it just makes it easier, but for that kind of dough, I'll do the extra work. I actually enjoy image processing so it's no big deal.
 
Luke, if you have a photo editor that has a channel mixer facility then that's probably the best way to start black and white conversion, though there are several ways over and above a straight desaturation, and as you rightly imply, considerably cheaper options as well.

Barrie

And Lightroom, which you already have, has a great set of tools plus the ability to add presets: paid, free, and home-brewed.
 
I haven't used Silver Efex but I really like the look of them. Briar would be a good person to ask about it. I didn't want to shell out the money or download illegally. Any contrasty B/W stuff I play with is through Snapseed - cheap and cheerful, extremely easy to use, brilliant on ipad, or through my main software which is Aperture.
 
Good software is cheap compared to a new camera or lens. I wonder if my most significant photographic purchase last year wasn't the Olympus E-M5, Canon G1X, or Panasonic 25mm f1.4 lens, but was instead Lightroom 4 for doing raw conversions. One key difference is that the first three only started working for me from the day that I bought them, but software like LR4 (and the Nik plugins which I already had) can be used on every digital image you've ever taken.
 
Many of the great photographers (say Ansel Adams or Edward Weston) probably spent more time in their darkrooms manipulating their projected negatives to create the images we admire than they did out with their camera, which I think correlates rather nicely with Nic's thoughts about software. I saw a video clip the other day which showed the negative of the famous Adams shot "Moonrise over Hernandez" which required a great deal of manipulation to achieve the famous image.

Barrie
 
The more things change, the more they remain the same. I remember folks buying really nice film cameras and lenses only to buy a cheap enlarger to print with or send the film out to the local drug store.

Still, the greatest enlarger in the world is no good if you don't have the skills.
 
Adams always moaned that he spent as much time in the darkroom as he did in the field. There is nothing that I can think of that plug-ins can give you over manipulating by hand in a basic post processing program, other than plug-in are easier and faster, but at a loss to the user of experience, skill development and originality/individual style.
 
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