Jock Elliott
Hall of Famer
- Location
- Troy, NY
Imagine, if you will, strolling into your local camera emporium (or calling on the phone or sending an email) and making the following request: “I’d like a 24-2000mm zoom lens, please.”
After the catcalls, hoots of derision, and fits of mirth that followed, the clerk might wipe the tears from his eyes and ask, barely suppressing a giggle, “Is there anything else you would like?”
And you might reply, “It would be good if you could keep the weight around 2 pounds.”
What might happen next, I can’t even guess, but I’m pretty sure you take my point: you can’t get there from here. There is no 24-2000mm zoom lens that you can purchase today, and even if there were, it’s a pretty sure guess that it would weigh more than 2 pounds. There are telescopes and exotic lenses that can be attached to DSLRs to get you to 2000mm, but you better have a very fat bankroll and probably someone to help you carry and setup your purchase.
While you can''t purchase a 24-2000mm e zoom lens as a separate item, you can purchase an entire small-sensor camera with a 24-2000mm e lens; the P900.
Before we go any further, let’s establish what this camera can do.
Here’s a shot of the Hudson River taken at 24mm. In the distance, just below the tree line, you’ll see a bridge. The lefthand bridge support has a black footing that has a bright spot on it. Do you see it? Good.
Now here’s a shot of that footing taken with my Panasonic FZ200 at full optical and digital zoom (something over 2000mm e):
This is a shot taken with the P900 at 2000mm e optical zoom and 4X digital zoom (8000mm, if I have my math right):
Obviously, that is not the best quality the P900 can achieve (and we’ll get to some better examples in just a bit) but it does give an indication of the astonishing range of focal length offered by this camera.
The P900 is a big camera, roughly the size of a Nikon D7XXX series camera with a kit lens attached. The following snips from www.camerasize.com shows the P900 compared to the FZ200 and the OM-D E-M5 with Panasonic 100-300 attached. The P900 weighs within a few grams the same as the OM-D E-M5 with 100-300 attached, about two pounds.
The P900 is a big, beefy camera, with a big handgrip wrapped in a soft rubber material that makes it easy to maintain a secure grip. There is the usual PASM dial on top of the body and a four-way controller with a rotating dial on the back.
The things that have really impressed me so far – beyond the astonishing reach of the camera – include the autofocus, which is very quick, very positive in anything but poor light. Press the shutter button halfway down and – beep! – you’re locked on. I’ve even had pretty good luck focusing on birds and squirrels that were partially obscured by twigs or foliage, which really surprised me.
In addition, the P900 has a very good manual focus function. Like the FZ200, there is a slider lever on the left side of the lens barrel. By default, this functions as a second zoom lever. But you can reassign it to manual focus, and there are some software choices for the speed of the manual focus and size of the magnified area in the EVF. Combined with focus peaking “sparklies,” the whole business of manually focusing is pretty easy. The FZ200 has a similar facility, but the focus slide works so fast that it requires a safe cracker’s touch to achieve critical focus.
Also on left side of the lens barrel is a “zoom back” button. As you might imagine, when you are wildly zoomed in on a subject, if you jostle the camera, it is really easy to lose the subject in the field of view. Press the zoom back button and the lens pulls back, showing a rectangle of the area that will be covered when the lens is zoomed back in. Center the subject in the rectangle, release the zoom back button, and you’re there. It’s slick and very, very helpful.
When you’re zooming in with the P900, the EVF (unlike the FZ200, which shows 24X, 48X, etc.) does not show any numerical indication of the amount of zoom. There is, however, a sliding scale (un-numbered) shown at the some of the display. It is colored blue so long as you are within the range of the optical zoom. Then there is a line in scale that indicates that this is where the digital zoom will be engage. As you continue to zoom, it continues to show blue to indicate decent image quality. When you zoom past that limit, the display turns yellow, to let photographer know that he or she has entered into the realm of image degradation. The closest shot above of the sign on the bridge support was maxed out in the yellow.
So let’s have a look at what the P900 can do when it’s not maxed out.
Here’s a shot of an osprey’s nest taken with the FZ200, trying to get a close as possible.
Here’s basically the same shot taken with the P900 at 4000mm e.
With the FZ200, some birds on a rock in the river.
The same with the P900.
All the shots shown here were taken handheld, and the P900, at higher zoom ratios, has proven harder to hold steady than the FZ200, but I think that is to be expected. The EVF on the P900 has less resolution than the FZ200, and the camera is bigger and heavier.
Nevertheless, so far, the P900 has proven to be a marvelous camera for wildlife photography.
Cheers, Jock
After the catcalls, hoots of derision, and fits of mirth that followed, the clerk might wipe the tears from his eyes and ask, barely suppressing a giggle, “Is there anything else you would like?”
And you might reply, “It would be good if you could keep the weight around 2 pounds.”
What might happen next, I can’t even guess, but I’m pretty sure you take my point: you can’t get there from here. There is no 24-2000mm zoom lens that you can purchase today, and even if there were, it’s a pretty sure guess that it would weigh more than 2 pounds. There are telescopes and exotic lenses that can be attached to DSLRs to get you to 2000mm, but you better have a very fat bankroll and probably someone to help you carry and setup your purchase.
While you can''t purchase a 24-2000mm e zoom lens as a separate item, you can purchase an entire small-sensor camera with a 24-2000mm e lens; the P900.
Before we go any further, let’s establish what this camera can do.
Here’s a shot of the Hudson River taken at 24mm. In the distance, just below the tree line, you’ll see a bridge. The lefthand bridge support has a black footing that has a bright spot on it. Do you see it? Good.
Now here’s a shot of that footing taken with my Panasonic FZ200 at full optical and digital zoom (something over 2000mm e):
This is a shot taken with the P900 at 2000mm e optical zoom and 4X digital zoom (8000mm, if I have my math right):
Obviously, that is not the best quality the P900 can achieve (and we’ll get to some better examples in just a bit) but it does give an indication of the astonishing range of focal length offered by this camera.
The P900 is a big camera, roughly the size of a Nikon D7XXX series camera with a kit lens attached. The following snips from www.camerasize.com shows the P900 compared to the FZ200 and the OM-D E-M5 with Panasonic 100-300 attached. The P900 weighs within a few grams the same as the OM-D E-M5 with 100-300 attached, about two pounds.
The P900 is a big, beefy camera, with a big handgrip wrapped in a soft rubber material that makes it easy to maintain a secure grip. There is the usual PASM dial on top of the body and a four-way controller with a rotating dial on the back.
The things that have really impressed me so far – beyond the astonishing reach of the camera – include the autofocus, which is very quick, very positive in anything but poor light. Press the shutter button halfway down and – beep! – you’re locked on. I’ve even had pretty good luck focusing on birds and squirrels that were partially obscured by twigs or foliage, which really surprised me.
In addition, the P900 has a very good manual focus function. Like the FZ200, there is a slider lever on the left side of the lens barrel. By default, this functions as a second zoom lever. But you can reassign it to manual focus, and there are some software choices for the speed of the manual focus and size of the magnified area in the EVF. Combined with focus peaking “sparklies,” the whole business of manually focusing is pretty easy. The FZ200 has a similar facility, but the focus slide works so fast that it requires a safe cracker’s touch to achieve critical focus.
Also on left side of the lens barrel is a “zoom back” button. As you might imagine, when you are wildly zoomed in on a subject, if you jostle the camera, it is really easy to lose the subject in the field of view. Press the zoom back button and the lens pulls back, showing a rectangle of the area that will be covered when the lens is zoomed back in. Center the subject in the rectangle, release the zoom back button, and you’re there. It’s slick and very, very helpful.
When you’re zooming in with the P900, the EVF (unlike the FZ200, which shows 24X, 48X, etc.) does not show any numerical indication of the amount of zoom. There is, however, a sliding scale (un-numbered) shown at the some of the display. It is colored blue so long as you are within the range of the optical zoom. Then there is a line in scale that indicates that this is where the digital zoom will be engage. As you continue to zoom, it continues to show blue to indicate decent image quality. When you zoom past that limit, the display turns yellow, to let photographer know that he or she has entered into the realm of image degradation. The closest shot above of the sign on the bridge support was maxed out in the yellow.
So let’s have a look at what the P900 can do when it’s not maxed out.
Here’s a shot of an osprey’s nest taken with the FZ200, trying to get a close as possible.
Here’s basically the same shot taken with the P900 at 4000mm e.
With the FZ200, some birds on a rock in the river.
The same with the P900.
All the shots shown here were taken handheld, and the P900, at higher zoom ratios, has proven harder to hold steady than the FZ200, but I think that is to be expected. The EVF on the P900 has less resolution than the FZ200, and the camera is bigger and heavier.
Nevertheless, so far, the P900 has proven to be a marvelous camera for wildlife photography.
Cheers, Jock